Category Archives: Personal

Yes (47)

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Saturday morning it comes to me that all unknowing I have begun an endeavor that involves a considerable amount of intellectual or conceptual effort. What the Buddha laid out all those centuries ago is intricate and many layered. And I have not committed myself to studying it. In fact, I think part of me resists it. This morning I have a bad moment. What if I keep going and find myself caught up in a structure that constricts me? I flash on being stuck inside the Buddha’s system, unable to free myself from the sticky strands of that web. What if I am unable to have a thought without naming it, categorizing it? Ah, this self-conscious feeling, this is clinging in the category of self. Or, oh, the sun has gone behind the mountain, and I am cold. Is that aversion in the category of sensual pleasures? Sunday night there is socializing after the meditation and teaching. I nibble on the millet raisin cookies I made and try to talk to people. I am awkward and not very present. I am so uncomfortable, I leave early without saying goodbye to anyone. My mind races as I walk home in the rain. I am judging myself, my discomfort, my rambling speech. I realize this is the biggest learning curve I have been in since I began to teach for the first time. But I have forgotten to be kind to myself. Notice, yes. Pay attention. But gently. Lovingly. I remind myself of that surprising bit of rainbow I woke up to, curled on my side, the bands of color tucked into the curve of the mountain before me. And the next morning before dawn, the waning moon and Mars in the clerestory window when I roll over in bed. Gifts from the universe, reassurance. And the small quiet gang of wintering white-crowned sparrows that gather in the courtyard just before dark, tiny beloved aliens who call in a language I don’t know. Something eases within me. Yes. And again, yes. I choose this.

A Pile and a Prayer (46)

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Off and on since the fall, in fits and starts, I return to working on the novel I began a decade ago. I am determined to finish it, still convinced I need to complete it before I can move on to embrace a new big writing project. Like pulling teeth, I revise and edit the existing typed pages. It seems important to bring the writing current. During November’s National Novel Writing Month I write new pages by hand and type them up then promptly lose them. I found them last week—they sit beside me now, await revising and editing. I cull three notebooks full of scribbles and scraps, recycling most of it. Two ancient loose sheets, folded, and two notebooks each open to a page I may want to save sit here, too, a worn red ribbon that held things together resting on top of the pile. I will type these last bits up next week. I want everything clean, no more mess for this next stretch, not knowing what I have, everything in one word document. The manuscript itself will be unwieldy enough, I think. I’m pretty sure I’m writing scenes that will never make it to the book itself. But that part I don’t worry about. I have faith in that part, certain there can be no wasted effort in this, only added depth if I am lucky. And it’s how I find out what’s going to happen—in the writing itself. Lately, I find myself daydreaming about the story. There is a sweetness in that, too. I stare at the pile and pray away my ambivalence, that my resistance might melt and undivided I immerse myself in the writing. And even as I send off that wisp of prayer I feel a gentle tug, a tiny, eager spark. I wonder what my characters are up to now.

On My Behalf (45)

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One-day retreat at the meditation center. First two surprises: a silent retreat and “custody of the eyes.” I keep my eyes down except for three accidental glances, feel like a mouse scurrying by in the long grass. It amuses me. In the parking lot, looking at the southern mountains and eating my soup, it comes to me that I could break into wild winged dancing and waving of clothing, unseen (like the mouse). Our teacher breaks the silence now and then. She is calm, open, funny. Once she speaks of our soft animal bodies, and I think of the poem. She is like that to me, a soft animal, a big, peaceful bird, maybe, a brown pelican, part big cat, too, sleeping in the sun. While we sit I feel again the hard weight in my chest. I am reading Andre Norton now, and I think of quan iron, blue-green, touched by magic. A blade of quan iron inside my ribcage. I am fascinated by it, cultivating curiosity. I want to know it, sidestep the urge to be rid of it. I am certain it has worked long and hard on my behalf. I want to honor it. The fourth time we sit I feel so strong it surprises me, and when I check on the quan iron it’s as though my chest is in a different place than it was in the morning. When I come home I can tell there is much more room inside me. The next day, it is gone, but I remember how I felt larger. And I remember how strong I felt in that one sitting, like I was a big oak, or that tree whose name I don’t yet know with the gnarled bark who makes those big blossoms in the fall that litter the ground like starfish.

If We Are Lucky (40)

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You don’t have to be good. You don’t have to walk on your knees for 100 miles through the desert, repenting. You only have to let the soft animal of your body love what it loves. You only have to gentle enough to understand: even you are only human. You make mistakes. You hurt the ones you love. You let people down. You carry these things with you in a life. You were unkind to your father that late afternoon on his big stone porch in Echo Park the last time you saw him. You yelled at Sofia bare months before she died when she began peeing on the floor instead of using the cat box. You thought Sable had ear mites, that he missed Sofia, that he was losing weight because of his irritable bowel disease. You didn’t think kidney failure until that Saturday morning when he was dangerously dehydrated and you rushed him to the vet. Now he’s dead, and you think you should have known. You should have saved him, could have had him here beside you for another handful of years like you always imagined. But now he’s dead. We carry these things with us in a life. We live with them, wrestle with them, these deep regrets. If we are lucky we make peace with them, let them lay down on the moist earth inside us, our rich decay. If we are lucky, good things grow.

[Editor’s note: The first three sentences here are from a Mary Oliver poem titled “Wild Geese.“ This came from a writing exercise in a workshop I attended called “The Way of Story” by Catherine Ann Jones.)

Heart Forward (36)

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I’ve begun taking a yoga class again. I chose the beginning class, and still the first day I felt like a big, heavy weakling. But I didn’t make myself feel bad about it. I am only glad I’ve begun, knowing I’ll get stronger, lighter. I believe that because two decades ago I did yoga for the first time at a retreat. After three days, I felt amazing. I fully inhabited my body for the first time in my life. There was energy between my toes. I haven’t touched that exact feeling since, as though all of my being reached the edges of my skin, but I know it’s possible. I do yoga at home, but I don’t push myself the way I am pushed in a class. I seem to have become better, too, at protecting my back, my hip. I am paying more attention. And when I can’t do something, or it is really hard, I am not beating myself up. These two changes alone are immense, gratifying. Add working in the yoga studio full of clean autumn light with a teacher who emphasizes the spiritual aspects of the practice—well, it becomes almost more than I can hold. I can feel it moving against my breast bone, and I remember yesterday I learned I push my ribs out too far. I need to move my heart forward. And so I will.

Homework (35)

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We are asked to choose one thing in our day and commit to doing it mindfully. I pick drinking my tea. I have begun to drink dong quai and wild yam with honey and coconut oil. Today I stand beside the sink preparing it. I forget the strainer and pour all the loose pieces of the roots into the waiting cup with the honey and oil. I have to laugh. It’s a good thing I chose drinking the tea and not making it, I think. I stir up the mess and strain it into a fresh cup, then carry it out to the courtyard. It takes up so many senses, so at first it seems easy to stay present, to savor it. The dong quai and the wild yam are bitter roots, the honey and coconut oil both sweet—blended the flavor is a weird and lovely combination of the two tastes. My body seems to crave it. I lean over the cup to inhale the earthy fragrance, the warm ceramic bowl of it cradled in my palms. My mind wanders more than once. I bring it back, sip my tea. I hear the goldfinch chattering. The sun sits just above the mountain ridge, the last sunlight in the late afternoon. I think next week I will choose a different thing, so I can just come and go while I drink my tea, let my mind wander where it will, untethered.

Raven’s Wings (33)

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I am sitting at the Amtrak station when I know I am only one of Sable’s sleek black whisker’s width away from fully committing myself to November’s national novel-writing month. My stomach clenches at the thought. It terrifies me. 50,000 words in 30 days means 1,666.66666 words per day and 6.66666667 pages (of 250 words per page). My quick work on the calculator hooks me in even more. No Satanic inklings here, only the magic of these sequences of sixes, of forward progress–and how, hmm? If I write 7 pages per day, I’ll have written 210 pages by the end of the month. And maybe I’ll throw my hat in the ring for that young adult novel contest, after all. Last week I entered a different book contest, and, counting this young adult contest, I plan now to enter three more this week. I keep the pen moving across the page and remember to pull in air. I can still feel the tightness in my belly, more thrill than fear now, though the balance is close. I feel it in my bones, in the sun on my back, in my pleasure in the conversation I am overhearing part in English and part in Spanish, the fluid back and forth, the “I love you” when they part, father and daughter, I think. I feel in my fear and my thrill I may be truly ready to have my work win one or more of these book contests. If I submit the different pieces I have in mind I could win three of the four contests. I want to laugh out loud, but I keep writing. I am ready to burst out into the literary world with these winnings and the published books. I am ready to take the world by storm or in a swirling rush of wings, the sudden whoosh of the slow, deep strokes of a raven overhead, the feathery brush of angels, my breath easy now in my chest, heart light with hope, mouth full of magic.