Three Goldfinch (48)

One little bird flies into our courtyard garden, alights on the tip of the palo verde, then perches on the wooden fence. He is making a sweet sound, but I am not sure I can place him. He hops from the fence to the tube feeder. I think he might be a verdin, but I don’t even know if they can cling like this, don’t know if they can reach the thistle seeds through the wire mesh. In case it is a goldfinch, I tell him I hope they will be coming back. “I miss you,” I say, and he flies away. Later I see a flicker of movement, and there are two goldfinch at the feeder. I think, how cool is that? I am sure this time they are goldfinch, and females. I picture them living down the street somewhere, just popping in for a bite to eat in the middle of the afternoon. Hope rears its head. I imagine this idea might spread. The two of them are eating now with gusto. “You go, girls,” I say. Maybe word will get around.

A Jolt from the Universe (47)

When I am posting the little flyers I’d made for the drop-in writing circle, I send off little hopes and prayers with them. May it be sweet and safe, I ask. When Laurie tells me she felt safe in our first circle, I hear that echo, send my thanks. And before we begin yesterday, the universe gives me a bit of a jolt I am pretty sure is tied to that same prayer, that same hope: sweet and safe. We’d opened the back doors of the hall, moved the big round table in front of them, sun and air beside us. It is just before eleven. I light a candle in the center of the circle. Laurie and Sharon are sitting at the table, and I’m standing beside it. A woman marches across the long hall, plants herself near Laurie’s elbow.

“Are you coming to join us?” I ask her.

“No,” she says. She stands where she is, a soldier at attention.

“Well, did you think you wanted to watch us?” I ask.

“Maybe,” she says.

“Well,” I say, “I’m not sure I’m comfortable with that.” I’d thought about this earlier. We were not looking for an audience.

I haven’t finished my sentence when she does an abrupt about-face and marches back across the hall. She has her arms at her sides, and she is flapping her hands back toward me as she walks, as though she can swat away my words, keep them from following her.

“Um, what is the flapping of the hands?” I ask. And, “Are you really not going to talk to me?” She keeps walking away, keeps flapping her hands in my direction. “I’d be happy to have a conversation with you about this,” I say.

She reaches the door at the other end. “Maybe,” I think I hear her say as she walks out again.

We are all a little stunned. I have to check. “Was I inappropriate in my response?” I ask. They say I wasn’t. I have to shake it out of me then, a kind of invasion I feel in my body. I wave my arms around in the air above the table. “Whoosh whoosh whoosh,” I say. A different flapping of hands, I think now. As best I can figure, this odd jolt is a message. I take it as encouragement and a reason to trust. Maybe it says we can keep our space safe no matter who comes along. And maybe it says, “Certain beings will be led away.”

Sit—Write with Us (45)

Thursday we’re going to meet at the community center to write. I’m thinking short, timed freewriting, what Natalie Goldberg calls “writing practice.” She’s known for saying, “Shut up and write,” though maybe more to herself than to others. I don’t like the shut up part, but I like the process. I’ll bring my collection of popsicle sticks, mostly Goldberg writing prompts and a smattering of others. I’ll bring my timer. We’ll write for ten minutes, or maybe eleven. Then we’ll read what we’ve written and go for eleven minutes more. I need to make a flyer, but I don’t worry about it. Laurie and I will begin on Thursday with whoever else hears about it and shows up. A drop-in group, I’ll call it when I write something up. I need this. I’m pretty sure I need this almost as much as I need sleep. So I’m glad we’re just going to begin, the hell with planning. I get to sit in a room with other people writing, our pens making scratching sounds as we scribble across the pages before us. I get to read my unedited words out loud, listen to what others have written, performing together the alchemy I may not have words for but believe in with all of me. Change both visceral and ethereal, the magic of spontaneous writing. I thank you in advance.

Too Tired (44)

I have a second cup of green tea and toasted rice steeping beside the open kitchen window. After I drank the first cup I found myself nodding off reading. I’m so exhausted I almost can’t function, can’t feel quite like myself, a dull blankness lying over me in layers. How can I let myself become so depleted for work? Can’t I learn to keep better boundaries, check in less often, know when to go to sleep? But when I’m caught up in it, the train holds me rushing down the tracks, the whoosh of air loud in my ears. It doesn’t feel like I have a choice. It feels like all I can do is keep moving through it, swaying car to swaying car. Answer the next question, grade the next submission, remember to cook dinner, feed the cats, field the next three questions waiting after I eat. I call it a night, too tired to wash the dishes waiting in the kitchen sink. While I am in it, the pace sustains me. I wake up early after little sleep, answer more questions from bed. But once the pressure slackens, the train slowing on the tracks, the exhaustion weighs me down, presses me against the earth. Silly mortal. Older mortal now, too. Yesterday afternoon I almost couldn’t stand. Today I think I could fall asleep while I write, but I keep the pen moving across the page. I am in the shade under the umbrella. A house finch calls from the neighbor’s tree. I’d been so eager for this lightening of my load. But I’m too tired to feel it, pressed down as I am by exhaustion, this body heavy like stone. Instead I look forward to being replenished, to feeling lighter, my body not dead weight I wrestle to keep upright, but easy companion, heart lifting again as hearts are meant to do.

More Musings from the Kitchen Sink (42)

Sunday night I made a bold move. I retired my old scrubbie and Trader Joe’s kitchen cloth to a home beneath the sink, relegated now to dirtier tasks. Monday I am washing dishes with the new pristine scrubbie. I feel exuberant with morning energy, new day joy. The perfect aqua kitchen cloth sitting wet at the edge of the sink makes me happy, too. Should I take a picture of this one, like the yellow one? I imagine a series of photographs of kitchen cloths lined up at eye level across a white gallery wall. I don’t know how many have come between this delicious aqua and the famed yellow one. I know the last one was orange, probably the last two since I cut them in half. When I decided to splurge and spring the new ones from the drawer, I actually had to think about it first. The old ones weren’t terrible yet. As I run the new soapy scrubbie inside one of the cats’ dinner bowls I think about how this level of frugality came from having an immigrant mother. I am so white, so middle class, I forget I am the daughter of an immigrant. It shapes you, makes you different. Today my mother probably wouldn’t think twice about switching out her kitchen cloths, but it came to me when she was young, when she was new to this country. I think about how frugality is good, how not being wasteful is important for the environment, too, the right thing. I even picture my old scrubbie and cloth in the landfill. Then I tell myself these are small things. I try to be careful. I’m not dumping a television set. I finish washing the dishes, run a dry cloth along the edge of the counter. I think about how the sight of the aqua cloth beside the sink makes me happy. People will think I’m crazy. There she goes again, that odd, twisty woman and her kitchen cloths. But I’m glad I liberated the new ones. It seems like a small indulgence for all that goofy pleasure. I decide to be reckless and retire this new pair at an even earlier age.

Being a Writer (41)

The other night when I was walking it came to me I really am a teacher first. All these years, I’ve kept trying to reverse the sequence. I put “writer, teacher, artist” in my profile. But I put teaching first. How can I not? Right now I’m in the middle of the second week of a two-week intensive online training I am leading with one of my favorite colleagues. Today I am proud of myself because I manage to get my “morning” chores done only two or three hours later than usual. This is the first time in ten days. I lay the walnuts in the glass pan, put them in the toaster oven. I wash the strawberries, have them drying on a kitchen towel by the window. But I don’t make time to eat. When I finish making my third or forth set of rounds, answering questions online, I plummet. I feel sad and discouraged for no reason. I have the sense to eat my breakfast. It is almost 2pm. I realize I feel trapped inside my obsessive online checking in. I get afraid for going forward. How will I ever be able to be a writer if I let my teaching work gobble all my time? I remind myself in the past I was able to carve out more time for my writing. I tell myself I can do this again. I can. I am. I refuse to believe teaching and writing have to be mutually exclusive. But a voice hisses. “Are you sure?” They are such different modes. Writing asks us to surrender. But I won’t give up my dream. Being a writer is who I am. I’m a writer who’s teaching. Maybe one day I’ll be a writer who teaches less.

From Stark to Lush in Less than a Year (40)

sunflower volunteers, wild patch of garden

I have just ridden my bike home from the farmers market. I unlatch the redwood gate, still straddling my bike, and position myself to waddle through. The gate opens inward, and as it swings open, my courtyard is revealed in a slow arc of color. For that span of time, the gate in slow motion, the hidden life coming into view, I have this lovely sensation of coming into a lush garden. The sweep of the gate opens to our palo verde, the wild patch of volunteer sunflowers from the bird feeder, the crazed dandelion “bush” I’ve been harvesting. What was once all stark concrete and pavers now holds this wash of color, these vibrant beings. The feeling seems to mirror my experience the other night walking in the dark, more an awareness of the body than the mind. I take in the surprising whoosh of life with the wonder of a child. Then my mind catches up, and I place this feeling beside my sadness of the other night. Maybe this is where our beginning layers of aliveness live, I think. And I feel grateful for our home with our secret courtyard garden. May she burgeon on.